Category Archives: Poetry

begin again the story of your life

Da Capo
by Jane Hirshfield

Take the used-up heart like a pebble
and throw it far out.

Soon there is nothing left.
Soon the last ripple exhausts itself
in the weeds.

Returning home, slice carrots, onions, celery.
Glaze them in oil before adding
the lentils, water, and herbs.

Then the roasted chestnuts, a little pepper, the salt.
Finish with goat cheese and parsley. Eat.

You may do this, I tell you, it is permitted.
Begin again the story of your life.


the hardest love we carry

Hope and Love
by Jane Hirshfield

All winter
the blue heron
slept among the horses.
I do not know
the custom of herons,
do not know
if the solitary habit
is their way,
or if he listened for
some missing one—
not knowing even
that was what he did—
in the blowing
sounds in the dark.
I know that
hope is the hardest
love we carry.
He slept
with his long neck
folded, like a letter
put away.


the joyous gap

Only when I am quiet and do not speak

Only when I am quiet for a long time
and do not speak
do the objects of my life draw near.

Shy, the scissors and spoons, the blue mug.
Hesitant even the towels,
for all their intimate knowledge and scent of
fresh bleach.

How steady their regard as they ponder,
dreaming and waking,
the entrancement of my daily wanderings and tasks.
Drunk on the honey of feelings, the honey of purpose,
they seem to be thinking,
a quiet judgment that glistens between the
glass doorknobs.

Yet theirs is not the false reserve
of a scarcely concealed ill-will,
nor that other, active shying: of pelted rocks

No, not that. For I hear the sigh of happiness
each object gives off
if I glimpse for even an instant the actual
instant —

As if they believed it possible
I might join
their circle of simple, passionate thusness,
their hidden rituals of luck and solitude,
the joyous gap in them where appears in us
the pronoun I

—Jane Hirshfield, from Given Sugar, Given Salt


the generous pocket

Shoveling Snow with Buddha

In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over the mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.

Sitting is more his speed, if that is the word
for what he does, or does not do.

Even the season is wrong for him.
In all his manifestations, is it not warm and slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?

But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.

This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.

He has thrown himself into shoveling snow
as if it were the purpose of existence
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.

All morning long we work side by side,
me with my commentary
and he inside the generous pocket of his silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.

After this, he asks,
can we go inside and play cards?

Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck,
and our boots stand dripping by the door.

Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.

—Billy Collins